6.2.11

ΜΑΡΙΑ ΣΝΑΪΝΤΕΡ. ΜΙΑ ΓΥΝΑΙΚΑ ΟΠΩΣ Η ΕΥΑ

Maria Schneider (27 March 1952 – 3 February 2011) was a French actress. She was best known for playing Jeanne, opposite Marlon Brando, in the 1972 film, Last Tango in Paris.
Schneider performed several nude scenes in Last Tango in Paris, which was controversial at the time. In an interview in 2007, Schneider described Last Tango in Paris director Bernardo Bertolucci: "He was fat and sweaty and very manipulative, both of Marlon and myself, and would do certain things to get a reaction from me." As for her working relationship with Brando, she said that, while their relationship on the set was paternal, it was Brando who came up with the "butter scene" and it was only known to her just before filming it:
"I should have called my agent or had my lawyer come to the set because you can't force someone to do something that isn't in the script, but at the time, I didn't know that. Marlon said to me: 'Maria, don't worry, it's just a movie,' but during the scene, even though what Marlon was doing wasn't real, I was crying real tears. I felt humiliated and to be honest, I felt a little raped, both by Marlon and by Bertolucci. After the scene, Marlon didn't console me or apologise. Thankfully, there was just one take.
She and Brando remained friends until his death, although they did not speak of the movie "for a while." She also said that her experience with the film — and her treatment as a sex symbol rather than as a serious actress — motivated her never to do films with nude scenes again. Schneider also appeared in films such as Antonioni's The Passenger and Zeffirelli's Jane Eyre.
Personal life
Schneider was born Marie Christine Gélin, the daughter of French actor Daniel Gélin, and Romanian-born Marie-Christine Schneider, who ran a bookstore in Paris. She met her father only three times and took her mother's last name. In 1974, Schneider came out as bisexual. In early 1976, she abandoned the film set of Caligula and checked herself into a mental hospital in Rome for several days with a woman she described as her lover. This, coupled with her refusal to do nudity, led to Schneider's dismissal and she was replaced by Teresa Ann Savoy.
The 1970s were turbulent years for Schneider, marked by drug addiction, overdoses, and a suicide attempt. By the 1980s, however, she had turned her life around: She has spoken of relationships with women before and, in 1975, went to a mental hospital in Rome and committed herself as a voluntary patient in order to be with her lover, photographer Joan Townsend.
"I was very lucky — I lost many friends to drugs — but I met someone in 1980 who helped me stop. I call this person my angel and we've been together ever since. I don't say if it's a man or a woman. That's my secret garden. I like to keep it a mystery."
She was awarded the medal of Chevalier, Ordre des Arts et des Lettres for her contributions to the arts on 1 July 2010 by Minister of Culture and Communication, Frédéric Mitterrand, who was her fellow actor in Jacques Rivette's film, Merry-Go-Round.
Maria Schneider died on 3 February 2011 after suffering from cancer. Remembering her, Bertolucci said, "Her death came too soon, before I could hold her again tenderly, and tell her that I felt connected to her as on the first day, and for once, to ask her to forgive me." "Maria accused me of having robbed her of her youth and only today am I wondering whether there wasn't some truth to that," he added. She is to be buried at Père Lachaise Cemetery(en.wikipedia.org)
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2 σχόλια:

senses and nonsenses είπε...

no conocía esta película, ni había oído hablar de ella.
ahora me gustaría pensar que ese ángel tenía sexo y era femenino.
fue muy heavy el impacto de la peli, Brando supo aprovecharlo, María no pudo asimilarlo.

un abrazo.

xomeritis είπε...

Το "Τελευταίο Ταγκό" δεν μου άρεσε, δεν μου άρεσε γενικά ο Μπερτολούτσι. Ούτε και η μακαρίτισσα μου άρεσε στο "Επάγγελμα Ρεπόρτερ", παρόλο που είναι από τις γερές ταινίες του αγαπημένου μου Αντονιόνι (και ποια δεν ήταν;). Τη συγκεκριμένη ταινία που αναφέρεις δεν την έχω δει, να μια καλή ευκαιρία. Κακά τα ψέματα όμως, η Σνάιντερ ήταν μια ηθοποιός όργανο στα χέρια σκηνοθετών, σε περίοδο που υπήρχε κινηματογράφος δημιουργών.