.
Nicole Kidman to star in 'The Danish Girl'
Story based on world's first post-op transsexual
By Gregg Goldstein, hollywoodreporter.com, 8-11-2008
Kidman will star in and produce "The Danish Girl," based on the true story of Danish artists Einar and Greta Wegener. Their marriage took a sharp left turn after Einar (Kidman) stood in for an female model that Greta (Theron) was set to paint. When their portraits become wildly popular in 1920s Copenhagen, Greta encouraged her husband to adopt the female guise. What began as a harmless game led Einar to a metamorphosis and landmark 1931 operation that shocked the world and threatened their love.
Both Kidman and Theron earned their best actress Oscars playing lesbian characters, in "The Hours" and "Monster," respectively.
Nicole Kidman to star in 'The Danish Girl'
Story based on world's first post-op transsexual
By Gregg Goldstein, hollywoodreporter.com, 8-11-2008
Kidman will star in and produce "The Danish Girl," based on the true story of Danish artists Einar and Greta Wegener. Their marriage took a sharp left turn after Einar (Kidman) stood in for an female model that Greta (Theron) was set to paint. When their portraits become wildly popular in 1920s Copenhagen, Greta encouraged her husband to adopt the female guise. What began as a harmless game led Einar to a metamorphosis and landmark 1931 operation that shocked the world and threatened their love.
Both Kidman and Theron earned their best actress Oscars playing lesbian characters, in "The Hours" and "Monster," respectively.
1 σχόλιο:
The Danish Girl
by David Ebershoff
Amazon.com Review
Though the title character of David Ebershoff's debut novel is a transsexual, the book is less concerned with transgender issues than the mysterious and ineffable nature of love. Loosely based on the life of Danish painter Einar Wegener who, in 1931, became the first man to undergo a sex-change operation, The Danish Girl borrows the bare bones of his story as a jumping-off point for an exploration of how Wegener's decisions affected the people around him. Chief among these is his Californian wife, Greta, also a painter, who unwittingly sets her husband's feet on the path to transformation. While trying to finish a portrait of an opera singer who has cancelled a sitting, she asks Einar to stand in for her subject, putting on her dress, stockings, and shoes. The moment silk touches his skin, he is shaken:
Einar could concentrate only on the silk dressing his skin, as if it were a bandage. Yes, that was how it felt the first time: the silk was so fine and airy that it felt like a gauze--a balm-soaked gauze lying delicately on healing skin. Even the embarrassment of standing before his wife began to no longer matter, for she was busy painting with a foreign intensity in her face. Einar was beginning to enter a shadowy world of dreams where Anna's dress could belong to anyone, even to him.
Greta soon recognizes her husband's affinity for feminine attire, and encourages him not only to dress like a woman, but to take on a woman's persona, as well. "Why don't we call you Lili?" she suggests. What starts out as a harmless game soon evolves into something deeper, and potentially threatening to their marriage. Yet Greta's love proves to be enduring if not immutable. As Einar inexorably transforms, he steps beyond "that small dark space between two people where a marriage exists" and Greta lets him go.
Ebershoff does a remarkable job of historical prestidigitation, creating the sights and sounds and smells of 1930s Denmark and making it seem easy. Even more remarkable is his treatment of Greta: he gets inside her head and heart, and renders her in such loving detail that her reactions make perfect sense. Einar is more of a cipher, and ultimately less interesting than his wife. But in the end, this is Greta's book and David Ebershoff has done her proud. The Danish Girl marks a promising fictional debut. --Sheila Bright --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Ebershoff, the publishing director at Modern Library, has taken a highly unusual subject--and a big chance--for his first novel. That it comes off triumphantly is a tribute to his taste and restraint and to the highly empathetic quality of his imagination. His book is based on the real-life story of Einar Wegener, a Danish artist who 70 years ago became the first man to be medically transformed into a woman--long before the much better-known case of Christine Jorgensen. Ebershoff has naturally changed some of the characters, giving Einar an American wife from his own native city of Pasadena, thereby introducing a New World perspective on the drama. For a very real drama it is. Einar struggles with his inclinations to become the woman he and his wife, Greta, refer to as Lili, seemingly more agonized about what the change would mean than Greta, who is deeply loving and amazingly supportive throughout Einar's long ordeal. Seldom has the delicate question of sexual identity been more subtly probed (one would have to go all the way back to Jan Morris's autobiographical Conundrum); and Ebershoff's remarkable feel for the period atmosphere and detail of 1920s Copenhagen and early-'30s Dresden, where Lili's life-transforming operation is finally performed, has been poetically and intensely rendered. The portraits of the various medical men who offer their very different solutions to the problem are brilliantly accomplished. The original story ended much more unhappily than Ebershoff's, but his poignant and visionary conclusion is a fitting one for what is, above all, and despite its sensationalist trimmings, a profound and beautifully realized love story. Eight-city author tour; rights sold in Germany, Italy, U.K., Spain, Australia, Brazil, Finland, Portugal, the Netherlands and Denmark. (Feb.)
Δημοσίευση σχολίου