17.9.10

NOVA STUDIOS

" In the late 70's 8mm and super 8-mm films were available in a few "dirty Bookstores" as they were called back then. In a tiny, quaint shop at the end of Christopher Street, in New York's Greenwich Village, these films could be found on display, usually but not always packaged in much the same manner as videos are today. This is where I discovered Walters' pre-Nova and Nova films, long before video."
- exerpt from an unpublished/unofficial Biography of NOVA STUDIOS


Nova Studios was a gay pornographic movie studio established by Scott Masters in 1977. It closed in 1986. Under Masters, Nova Studios created the "West Coast Look", which dominated the gay adult film genre through the 1980s
Nova Studios established a number of tropes now common to gay adult film:
Heavy emphasis on sexual fantasy - Nova Studios productions often featured sex in settings not generally considered "gay" at that time, such as factories, garages, locker rooms or barns. The studio focused on the fantasy of "sex with a straight man" or "sex between straight men," and played heavily on the idea that "gay sex can happen where you least expect it."
Gay-for-pay performers - Nova Studios films did not depict characters as gay. The personality or sexual identity of each character was left ambiguous at best, and more often decidedly heterosexual. "The point, above all, was to show 'hot guys having gay sex,' not gay guys having hot sex'."
Partially-clothed sex - Nova Studios pioneered the idea of leaving one piece of clothing on the performers during the sex act. This usually was a pair of white athletic socks with colorful stripes on the top, a visual which became nearly ubiquitous in gay pornography until the late 1980s. Athletic shoes, work boots, cleats and even complete uniforms (such as a policeman's shirt and pants, or a football player's pads, jersey and jockstrap) would remain on the model. The concept was to continually remind the viewer of the fantasy setting in which the sex occurred.
An emphasis on youth - Although most of the models cast in Nova Studios productions were in their late 20s and early 30s, the setting and story used in the films emphasized the youth of the models. In some cases, the films implied through the use of dialogue, setting or behavior that some of the characters were under the age of 18.
Incest themes - Beginning with the film His Little Brother (produced in 1978), Nova Studios often included incest in its films. Although none of the models were, in fact, siblings, Nova Studios often gave them the same last name as their stage name to heighten the impression that the models were brothers. Other aspects of the films—the performers occupy the same house, or appear to have the same parents, or seem to have a brotherly relationship in school or at home—also contribute to the impression that incest is occurring.
"The natural look" - Except for its last films, Nova Studios productions featured performers who were "not some Olympus of demi-gods, all gym-buffed, parlor-tanned, and blow-dried. Instead, Nova, offered a down-to-earth collection of real individuals, each with his own sex appeal and identity. The 'typical' Nova model has a lean, natural build which looked even heftier (as did the cock) if the model was short but well proportioned." Expressive eyes and wide, friendly smiles were also very common.
Sexual chemistry - Nova Studios performers were often sexually ambivalent individuals who were strongly aroused (rather than turned off) by same-gender sex. Nova Studios sought out thrill-seekers who would be excited by the prospect of sex on film or sex for money, or escorts who wanted to have sex with men their own age for once.
Structured story lines - "The majority of Nova's releases had a story to tell, with clear transitions and an element of dramatic conflict. And Walters liked to end his little tales with a comical or O. Henry-esque twist: a signature of his Nova work."
Structured sexual performances - The nature of Nova Studios' guerrilla filmmaking required that the studio plan to the last detail the shots produceers wanted in films. Time was of the essence while shooting, which required rigorous planning. While this occasionally drained the scenes of spontaneity, more often than not they created richly layered sexual performances lacking in the jerky, heavily-edited performances rife with jump cuts which characterize most gay adult film in the 2000s. (en.wikipedia.org)

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