6.5.10

ΣΑΝ ΣΗΜΕΡΑ. ΟΛΓΑ ΜΠΡΟΥΜΑ

Olga Broumas (born 6 May 1949, Hermoupolis), is a Greek poet, resident in the United States.
Born and raised in Greece, Broumas secured a fellowship through the Fulbright program to study in the United States at the University of Pennsylvania; she earned her Bachelor's degree in architecture. She later went on to earn a Master's degree in creative writing from the University of Oregon.
Her first collection of poems, Beginning with O, contains erotic poems toward her women lovers. Broumas was selected by Stanley Kunitz for the Yale Younger Poets Series in 1977, the first non-native speaker of English to receive this award. Other honors have included a Guggenheim Fellowship and a fellowship from the National Endowment for the Arts. She has been Poet-in-Residence and Director of Creative Writing at Brandeis University since 1995. She spends her summers on Cape Cod, where she, in the Eighties, founded and taught at a school for female artists called Freehand, Inc. (en.wikipedia.org)


Cinderella

............. ... the joy that isn't shared
.............I heard, dies young.
.............--Anne Sexton, 1928-1974


Apart from my sisters, estranged
from my mother, I am a woman alone
in a house of men
who secretly
call themselves princes, alone
with me usually, under cover of dark. I am the one allowed in

to the royal chambers, whose small foot conveniently
fills the slipper of glass. The woman writer, the lady
umpire, the madam chairman, anyone's wife.
I know what I know.
And I once was glad

of the chance to use it, even alone
in a strange castle doing overtime on my own, cracking
the royal code. The princes spoke
in their father's language, were eager to praise me
my nimble tongue. I am a woman in a state of siege, alone

as one piece of laundry, strung on a windy clothesline a
mile long. A woman co-opted by promises: the lure
of a job, the ruse of a choice, a woman forced
to bear witness, falsely
against my own kind, as each
other sister was judge inadequate, bitchy, incompetent,
jealous, too thin, too fat. I know what I know.
What sweet bread I make

for myself in this prosperous house
is dirty, what good soup I boil turns
in my mouth to mud. Give
me my ashes. A cold stove, a cinder-block pillow, wet
canvas shoes in my sisters', my sisters' hut. Or I swear

I'll die young
like those favored before me, hand-picked each one
For her joyful heart.

6 σχόλια:

  1. Leda and Her Swan





    You have red toenails, chestnut

    hair on your calves, oh let

    me love you, the fathers

    are lingering in the background

    nodding assent.



    I dream of you

    shedding calico from

    slow-motion breasts, I dream

    of you leaving with

    skinny women, I dream you know.



    The fathers are nodding like

    overdosed lechers, the fathers approve

    with authority: Persian emperors, ordering

    that the sun shall rise

    every dawn, set

    each dusk, I dream.



    White bathroom surfaces

    rounded basins you

    stand among

    loosening

    hair, arms, my senses.



    The fathers are Dresden figurines

    vestigial, anecdotal

    small sculptures shaped

    by the hands of nuns. Yours

    crimson tipped, take not part in that

    crude abnegation, Scarlet

    liturgies shake our room, amaryllis blooms

    in your upper thighs, water lilly

    on mine, fervent delta



    the bed afloat, sheer

    linen blowing

    on the wind: Nile, Amazon, Mississippi.

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  2. Circe



    The Charm





    The fire bites, the fire bites. Bites

    to the little death. Bites



    till she comes to nothing. Bites

    on her own sweet tongue. She goes on. Biting.





    The Anticipation





    They tell me a woman waits, motionless

    till she’s wooed. I wait



    spiderlike, effortless as they weave

    even my web for me, tying the cord in knots



    with their courting hands. Such power

    over them. And the spell



    their own. Who could release them? Who

    would untie the cord



    with a cloven hoof?





    The Bite





    What I wear in the morning pleases

    me: green shirt, skirt of wine. I am wrapped



    in myself as the smell of night

    wraps round my sleep when I sleep



    outside. By the time

    I get to the corner



    bar, corner store, corner construction

    site, I become divine. I turn



    men into swine. Leave

    them behind me whistling, grunting, wild.

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  3. Maenad

    Hell has no fury like women's fury. Scorned
    in their life by the living
    sons they themselves
    have set loose, like a great gasp
    through a fleshy nostril.
    Hell has no fury.

    Hell has no fury like fury of women. Scorned
    by their daughters who claim paternity, wed-
    lock, deliverance
    from the pulsing apron-strings of the apron
    tied round their omphalos, that maternal
    and terrible brand. Hell has no fury.

    Hell has no fury like the fury of women. Scorned
    from birth by their mothers who
    must deliver the heritage: signs, methods,
    artifacts, what-they-remember
    intact to them, and who have no time
    for sentiment, only warnings. Hell has no fury.

    And hell has no fury like fury of women. Scorning
    themselves in each other's image
    they would deny that image
    even to god
    as she laughs at them, scornfully
    through her cloven maw. Hell has no rage like this

    women's rage.

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  4. Body and Soul





    There is a joke it goes in Greece

    that summer there was a futbol

    match and the husband had

    lost his lady. BITCH he shouted

    after her WHORE WOMAN HEY YOU

    BITCH. Greece is civilized

    the cop said call your wife

    by name. I can’t the man

    said. Call her name

    the cop said. Not allowed

    the man said. Call her name I said the cop

    said if you don’t the man said in the Greek futbol

    stadium he said

    ELEUTHERIAAAAAAAAA

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  5. Eye of Heart



    Because I was whipped as a child

    frequently by a mother so bewildered

    by her passion

    her generous hunger she would freak

    as the swell of her

    even her love for me

    alone in the small house

    of our room by the Metropolis and fling me

    the frantic flap of her hand as if some power

    in me to say I want brought the unbearable

    also to the lips



    and as it didn’t hurt

    nearly as much as her distress

    imagined it and set the set I grew up longing

    for consummation as she did

    beyond endurance

    tenderness acceptance of the large

    insatiable that grows so small

    and grateful if allowed

    its portion of sun



    so that the images that led me down

    the spiral of forgetting self and listing

    like a phenomenon in the grip of its weather

    dazzling or threatening but free

    of civilization were the links

    whereby her terror

    made good its promise to annihilate

    my will her will I couldn’t tell

    the difference then as now

    when making love I can

    breathe in forever on that rise

    indefinite plateau whose briefness

    like an eye in unself-conscious and the sphere

    of the horizon its known line.

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  6. She Loves



    deep prolonged entry with the strong pink cock

    the sit-ups is evokes from her, arms fast

    on the climbing invisible rope to the sky,

    clasping and unclasping the cosmic lorus *



    Inside, the long breaths of lung and cunt

    swell the vocal cords and a rasp a song

    loud sudden overdrive into disintegrate,

    spinal melt, video hologram in the belly.



    Her tits are luminous and sway to the rhythm

    and I grab them and exaggerate their orbs.

    Shoulders above like loaves of heaven,

    nutmeg-flecked, exuding light like violet diodes



    closing circuit where the wall, its fuse box,

    so stolidly stood. No room for fantasy.

    We watch ourselves transform the past

    with such disinterested fascination,



    the only attitude that does not stall

    the song by an outburst of consciousness

    and still lets consciousness, loved and incurable

    voyeur, peek in. I tap. I slap. I knee, thump, bellyroll.



    Her song is hoarse and is taking me,

    incoherent familiar path to that self we are wall

    cortical cells of. Every o in her body

    beelines for her throat, locked on



    a rising ski-lift up the mountain, no

    grass, no mountaintop, no snow.

    White belly folding, muscular as milk.

    Pas de deux, pas de chat, spotlight



    on the key of G, clef du roman, tour de force letting,

    like the sunlight lets a sleeve worn against wind, go.

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