24.5.11

SKOONHEID. QUEER ΧΡΥΣΟΣ ΦΟΙΝΙΚΑΣ 2011 ΣΤΙΣ ΚΑΝΝΕΣ


Ν.Αφρική, 2011

.Francois lives in Bloemfontein, in South Africa’s Afrikaaner heartland. He’s a big, bullish guy who we first see at a wedding reception, also attended by Christian, the son of an old friend. It’s only in retrospect that we realise that the camera’s slow prowl through the room, and its predatory focus adjustment and zoom in on pretty-boy Christian, is Francois’ point of view: even after we’ve identified Francois as the film’s centre of attention, he gives little away.
He’s married to Elena, though they seem not to have a physical relationship. He owns a lumber company and sawmill, and from certain comments he lets drop we suspect he might be a racist. When he drives to a farmstead meeting with a group of tongue-tied roughnecks, we assume it’s a white supremacists’ hoedown, especially when one of the group is turned away because he has broken their “no faggots or coloureds” rule by arriving with a fey black boy in tow.
So it comes as a shock when in the very next scene we see Francois and his beer-swilling pals engaged in an orgy while gay porn plays on the TV. They’re hard, homophobic men who like to have sex with each other, before (like Francois) going back to their families, going to church and behaving like regular guys. But Francois’ can’t stop thinking about Christian - a trainee lawyer whose sideline as an advertising model leads the older man to convince himself that he too may be living in the Afrikaaner closet.
(screendaily.com)

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